The pitch and modulation wheels are located above the keybed, in the upper left. Regrettably, it’s a little underwhelming. It’s nice to have a full-sized keybed but this one isn’t particularly reassuring to play. The keyboard, on the other hand, feels a little unforgiving. Being a digital design, it’s not terribly heavy but it feels solidly built, with a degree of lateral movement in the pots if you apply pressure. It does, however, offer velocity release. The keys on the Wavestate are full-sized, as opposed to the slimmer variety found on the Minilogue, and the keybed offers velocity, but not aftertouch. Though there is still some menu navigation involved, Wavestate largely simplifies the process. Thankfully, in 2020, Korg has mostly learnt from its mistakes. Many instead programmed the synth via presets or a computer-based package. Its dainty display made manual programming about as easy as painting your interior hallway by pushing a paintbrush through your letterbox. The original Wavestation was the epitome of early-1990s synth technology.
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